- Ask Maureen: Postcard Help
- Post Card History - AZO stamp boxes
- Stamp Boxes for Real Photo Vintage Postcards
Still, no message was permitted on the address side. Writing was still not permitted on the address side. In this era, private citizens began to take black and white photographs and have them printed on paper with post card backs. If no message was permitted on the address side, the card probably pre-dated March of Real Photo Postcards ongoing Postcards that are actual photographic replications were first produced around They may or may not have a white border, or a divided back, or other features of postcards, depending on the paper the photographer used. Many of the real photo postcards being done at the current time are reproductions of earlier historic photos.
The easiest way to distinguish a real photo postcard is to look at it under a magnifying glass; it will show smooth transitions from one tone to another.
Ask Maureen: Postcard Help
Click here for links for dating rea l photos. Britain had already pioneered this in The address was to be written on the right side; the left side was for writing messages. Many millions of cards were published in this era -- it was the golden age of postcards. Up to this point, most postcards were printed in Germany, which was far ahead of the United States in the use of lithographic processes.
The relatively high cost of labor, along with inexperience and changes in public taste, resulted in the production of poor quality cards during this period. Furthermore, strong competition in a narrowing market caused many publishers to go out of business.
Linen Era New printing processes allowed printing on post cards with high rag content that caused a linen -like finish. These cheap cards allowed the use of gaudy dyes for coloring. Many important events and scenes in history are documented only by these cards. Three-dimensional postcards also appeared in this era.
Post Card History - AZO stamp boxes
By s, the standard size of cards had grown to 4 x 6 inches. Photochromes are not real photos but rather, printed cards done by a photochrome process. To distinguish a printed postcard from a real photo postcard, examine it under a magnifying glass and you will see the dot pattern that is characteristic of printed cards.
They are difficult to discern from real photos but usually don't have the glossy finish of photographs. The Laura Gilpin cards of Mesa Verde and Silverton are excellent examples of the photogravure process. One easy way to approximate when a postcard was mailed if the cancellation date is unreadable is to know the changes in rates for mailing postcards. The following table comes from Historical statistics of the United States: When World War I ended at the end of , the rate was lowered to its pre-War level of one cent.
Commission Rate Board over-estimated revenue needs in and was forced to reduce postage rate in Two major postcard publishers, Curt Teich and Detroit Publishing Company, used numbering schemes that can be helpful in dating a card. In the beginning, Teich apparently made no attempt to define when a card was printed. Research has revealed some consistencies however, such as these: The company used code numbers and letters to indicate the date the card was published.
The codes appear either on the scenic side or in the postage box. The number and letter before the dash in the code stand for the date.
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The number indicates the last figure in the date and the letter indicates the decade. The letters and figures after the dash pertain to the printing process used and the number of issues that year. Getty Images says , but without a photo credit. RPPC paper stock was sold in bulk, it would not be a huge surprise if paper that was discontinued in was used to print a photo in Hi- I hope I am wrong, but something about the image and back does not look right to me and I believe this is a fantasy piece.
Stamp Boxes for Real Photo Vintage Postcards
It would be a great postcard to own if it is from circa but there is something about the way it looks that would cause me not to buy it. However, I am definitely not an expert and would defer to those folks. I believe there are a couple of board members who own fairly extensive Mantle collections, including postcards who might be able to chime in. Thanks for the replies and PMs everyone. I really appreciate the responses to my questions. Question 3 regarding authenticity is the most important, quite honestly, although I'm very pleased that questions 1 and 2 have been answered satisfactorily.
I usually can just "tell" based on my xp, but this one is a little harder for me. If there's a tried and true test or an expert in the Phoenix area , I'd love to get some help!