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If you are looking for free dating content you can republish, click here. Olive's parents Cole and Nana Oyl also made frequent appearances. Popeye first appeared in the strip on January 17, as a minor character. He was initially hired by Castor Oyl and Ham to crew a ship for a voyage to Dice Island, the location of a casino owned by the crooked gambler Fadewell. Castor intended to break the bank at the casino using the unbeatable good luck conferred by stroking the hairs on the head of Bernice the Whiffle Hen.
Weeks later, on the trip back, Popeye was shot many times by Jack Snork, a stooge of Fadewell's, but survived by rubbing Bernice's head. After the adventure, Popeye left the strip but, due to reader reaction, he was quickly brought back. The Popeye character became so popular that he was given a larger role, and the strip was taken up by many more newspapers as a result. Initial strips presented Olive as being less than impressed with Popeye, but she eventually left Ham Gravy to become Popeye's girlfriend and Ham Gravy left the strip as a regular.
Over the years, however, she has often displayed a fickle attitude towards the sailor. Castor Oyl continued to come up with get-rich-quick schemes and enlisted Popeye in his misadventures. Eventually, he settled down as a detective and later on bought a ranch out West. Castor has seldom appeared in recent years. In , Popeye received a foundling baby in the mail, whom he adopted and named " Swee'Pea.
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Wellington Wimpy , a hamburger -loving moocher who would "gladly pay you Tuesday for a hamburger today" he was also soft-spoken and cowardly; Vickers Wellington bombers were nicknamed "Wimpys" after the character ; George W. Geezil , a local cobbler who spoke in a heavily affected accent and habitually attempted to murder or wish death upon Wimpy; and Eugene the Jeep , a yellow, vaguely dog-like animal from Africa with magical powers.
In addition, the strip featured the Sea Hag , a terrible pirate , as well as the last witch on earth her even more terrible sister excepted ; Alice the Goon , a monstrous creature who entered the strip as the Sea Hag's henchwoman and continued as Swee'Pea's babysitter ; and Toar, a caveman. Segar's strip was quite different from the cartoons that followed. The stories were more complex, with many characters that never appeared in the cartoons King Blozo, for example.
Spinach usage was rare and Bluto made only one appearance. Segar would sign some of his early Popeye comic strips with a cigar , due to his last name being a homophone of "cigar" pronounced SEE-gar. Comics historian Brian Walker stated: Thimble Theatre became one of King Features' most popular strips during the s. A poll of adult comic strip readers in the April issue of Fortune magazine voted Popeye their second favourite comic strip after Little Orphan Annie.
After Mussolini came to power in Italy, he banned all American comic strips, but Popeye was so popular the Italians made him bring it back. The strip carried on after Segar's death in , at which point he was replaced by a series of artists. In the s, a spinoff strip was established, called Popeye the Sailorman.
After Segar's death in , many different artists were hired to draw the strip. Tom Sims , the son of a Coosa River channel-boat captain, continued writing Thimble Theatre strips and established the Popeye the Sailorman spin-off. Doc Winner and Bela Zaboly , [11] successively, handled the artwork during Sims's run. Eventually, Ralph Stein stepped in to write the strip until the series was taken over by Bud Sagendorf in Sagendorf wrote and drew the daily strip until , and continued to write and draw the Sunday strip until his death in Sagendorf, who had been Segar's assistant, made a definite effort to retain much of Segar's classic style, although his art is instantly discernible.
Sagendorf continued to use many obscure characters from the Segar years, especially O. Wotasnozzle and King Blozo. Sagendorf's new characters, such as the Thung, also had a very Segar-like quality. What set Sagendorf apart from Segar more than anything else was his sense of pacing. Where plotlines moved very quickly with Segar, it would sometimes take an entire week of Sagendorf's daily strips for the plot to be advanced even a small amount.
From to , the daily strip was written and drawn by Bobby London , who, after some controversy , was fired from the strip for a story that could be taken to satirize abortion. One classic storyline, titled "The Return of Bluto", showed the sailor battling every version of the bearded bully from the comic strip, comic books, and animated films.
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The Sunday edition of the comic strip is currently drawn by Hy Eisman , who took over in The daily strip began featuring reruns of Sagendorf's strips after London was fired and continues to do so today. On January 1, , 70 years since the death of his creator, Segar's character of Popeye though not the various films, TV shows, theme music and other media based on him became public domain [13] in most countries, but remains under copyright in the United States.
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Because Segar was an employee of King Features Syndicate when he created the Popeye character for the company's Thimble Theatre strip, Popeye is treated as a work for hire under U. Works for hire are protected for 95 years from publication or years from creation, whichever is shorter. Since Popeye made his first appearance in January , and all U.
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In the Dell comics, Popeye became something of a crimefighter, thwarting evil organizations and Bluto's criminal activities. The new villains included the numerous Misermite dwarfs, who were all identical. Popeye appeared in the British " TV Comic " series, a News of the World publication, becoming the cover story in with stories written and drawn by "Chick" Henderson. Bluto was referred to as Brutus and was Popeye's only nemesis throughout the entire run.
A variety of artists have created Popeye comic book stories since then; for example, George Wildman drew Popeye stories for Charlton Comics from until the late s. The story presented Popeye's origin story, including his given name of "Ugly Kidd" [15] and attempted to tell more of a lighthearted adventure story as opposed to using typical comic strip style humor.
The story also featured a more realistic art style and was edited by Bill Pearson, who also lettered and inked the story as well as the front cover. The second issue introduced the idea that Bluto and Brutus were actually twin brothers and not the same person, [17] an idea also used in the comic strip on December 28, and April 5, The comic book brought together a large portion of the casts of both the comic strip and the animated shorts, and Popeye and Olive Oyl were finally wed after decades of courtship.
However, this marriage has not been reflected in all media since the comic was published. In , a special series of short Popeye comic books were included in specially marked boxes of Instant Quaker Oatmeal , and Popeye also appeared in three TV commercials for Quaker Oatmeal , [20] which featured a parrot delivering the tag line "Popeye wants a Quaker! Popeye loses either Olive Oyl or Swee'Pea to a muscle-bound antagonist, eats something invigorating, and proceeds to save the day.
In this case, however, the invigorating elixir was not his usual spinach, but rather one of four flavors of Quaker Oatmeal. The comics ended with the sailor saying, "I'm Popeye the Quaker Man! For Popeye to call himself a "Quaker man" after beating up someone was offensive to the Quakers and considered a misrepresentation of their faith and religious beliefs.
The Quaker Oatmeal company apologized and removed the "Popeye the Quaker man" reference from commercials and future comic book printings. In November , King Features signed an agreement with Fleischer Studios to have Popeye and the other Thimble Theatre characters begin appearing in a series of animated cartoons.
The first cartoon in the series was released in , and Popeye cartoons, released by Paramount Pictures , would remain a staple of Paramount's release schedule for nearly 25 years. William Costello was the original voice of Popeye, a voice that would be replicated by later performers, such as Jack Mercer and even Mae Questel.
Many of the Thimble Theatre characters, including Wimpy, Poopdeck Pappy, and Eugene the Jeep, eventually made appearances in the Paramount cartoons, though appearances by Olive Oyl's extended family and Ham Gravy were notably absent.
Thanks to the animated-short series, Popeye became even more of a sensation than he had been in comic strips, and by , polls showed that the sailor was Hollywood's most popular cartoon character. In every Popeye cartoon, the sailor is invariably put into what seems like a hopeless situation, upon which usually after a beating , a can of spinach becomes available, and Popeye quickly opens the can and consumes its contents. Upon swallowing the spinach, Popeye's physical strength immediately becomes superhuman, and he is easily able to save the day and very often rescue Olive Oyl from a dire situation.
It did not stop there, as spinach could also give Popeye the skills and powers he needed, as in The Man on the Flying Trapeze , where it gave him acrobatic skills. In May , Paramount Pictures assumed ownership of Fleischer Studios, fired the Fleischers and began reorganizing the studio, which they renamed Famous Studios. In late , the Popeye series was moved to Technicolor production, beginning with Her Honor the Mare.
Paramount then sold the Popeye film catalog to Associated Artists Productions , which was bought out by United Artists in Through various mergers, the rights are currently controlled by WarnerMedia 's Turner Entertainment. The show aired the Fleischer and Famous Studios Popeye shorts in versions approximating their original theatrical releases by editing copies of the original opening and closing credits taken or recreated from various sources onto the beginnings and ends of each cartoon, or in some cases, in their complete, uncut original theatrical versions direct from such prints that originally contained the front-and-end Paramount credits.
The series aired Popeye shorts over forty-five episodes, until March While many of the Paramount Popeye cartoons remained unavailable on video, a handful of those cartoons had fallen into public domain and were found on numerous low budget VHS tapes and later DVDs. When Turner Entertainment acquired the cartoons in , a long and laborious legal struggle with King Features kept the majority of the original Popeye shorts from official video releases for more than 20 years.
King Features instead opted to release a DVD boxed set of the s made-for-television Popeye the Sailor cartoons, to which it retained the rights, in In , Warner Home Video announced it would release all of the Popeye cartoons produced for theatrical release between and on DVD, restored and uncut. Three volumes were released between and , covering all of the black-and-white cartoons produced from to In , King Features Syndicate commissioned a new series of cartoons entitled Popeye the Sailor , but this time for television syndication.
Al Brodax served as executive producer of the cartoons for King Features.
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The artwork was streamlined and simplified for the television budgets, and cartoons were produced in only two years, with the first set of them premiering in the autumn of , and the last of them debuting during the — television season. Since King Features had exclusive rights to these Popeye cartoons, 85 of them were released on DVD as a 75th anniversary Popeye boxed set in For these cartoons, Bluto's name was changed to "Brutus", as King Features believed at the time that Paramount owned the rights to the name "Bluto".
Many of the cartoons made by Paramount used plots and storylines taken directly from the comic strip sequences — as well as characters like King Blozo and the Sea Hag. It was an hour-long animated series produced by Hanna-Barbera Productions , which tried its best to retain the style of the original comic strip Popeye returned to his original costume and Brutus to his original name of Bluto , while complying with the prevailing content restrictions on violence.
In addition to providing many of the cartoon scripts, Mercer continued to voice Popeye, while Marilyn Schreffler and Allan Melvin became the new voices of Olive Oyl and Bluto, respectively. Maurice LaMarche performed Popeye's voice; Mercer had died in The show lasted for one season. The Quest for Pappy , which was made to coincide with the 75th anniversary of Popeye. Billy West performed the voice of Popeye, describing the production as "the hardest job I ever did, ever" and the voice of Popeye as "like a buzzsaw on your throat".
On December 2, , a Popeye web series produced by the WildBrain studio was premiered on its official YouTube channel. A cover of the theme song, performed by Face to Face , is included on the tribute album Saturday Morning: Playground song parodies of the theme have become part of children's street culture around the world, [29] [30] usually interpolating " frying pan " or " garbage can " into the lyrics as Popeye's dwelling place [31] [32] and ascribing to the character various unsavory actions or habits [33] [34] [35] [36] that transform the character into an "Anti-Popeye", and changing his exemplary spinach-based diet into an inedible morass of worms , onions , flies , tortillas and snot.
The success of Popeye as a comic-strip and animated character has led to appearances in many other forms. Popeye was adapted to radio in several series broadcast over three different networks by two sponsors from to This program was broadcast Tuesday, Thursday and Saturday nights at 7: September 10, through March 28, on the NBC Red Network 87 episodes , initially sponsored by Wheatena , a whole-wheat breakfast cereal , which would routinely replace the spinach references.
Music was provided by Victor Irwin's Cartoonland Band. The show was next broadcast Mondays, Wednesdays and Fridays from 7: Once again, reference to spinach was conspicuously absent. The third series was sponsored by the maker of Popsicles three nights a week for 15 minutes at 6: Popeye was recently featured on the Brad and John: The script was by Jules Feiffer , who adapted the Nostalgia Press book of strips for his screenplay, thus retaining many of the characters created by Segar.
The set is now a tourist attraction called Popeye Village. The US box office earnings were double the film's budget, making it a success. I couldn't be more excited by how it turned out.